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Updated: May 24, 2025
Panoramas would be a better title for these robust compositions. David Teniers's La Kermesse is the most important work he ever finished. It is in good preservation. Amsterdam has not its superior. There is an ordinary El Greco, a poor Goya, and a Ribera downstairs. The French art is not enlivening. Philip Champaigne's self-portrait is familiar: it has been reproduced frequently.
Bluish-gray eyes, a fairer complexion than usually belongs to men of his clime and country, a look of penetration, combined with an expression of quiet content, were surmounted by a steeple-crowned hat that might have become a Dutch burgomaster, or one of Teniers's land-proprietors, rather than a denizen of a southern city.
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