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Updated: May 19, 2025
Why are misers so hateful in the world, and so endurable on the stage, but because the skilful actor, by a sort of sub-reference, rather than direct appeal to us, disarms the character of a great deal of its odiousness, by seeming to engage our compassion for the insecure tenure by which he holds his money bags and parchments?
With some poets, with Milton and Matthew Arnold, for example, there is always a kind of implicit sub-reference, accompanying the heroic gesture or the magical touch, to our poor normal humanity.
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