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Special music for the event was furnished by Fancuilli's band, of New York city, and Schoen's orchestra, of St. Louis, which were stationed respectively in the south and north galleries of the grand entrance hall. The receiving line was stationed at the foot of the grand staircase, the guests entering at the south portal of the building and approaching through the reception rooms.

In Martin Schoen's vivid composition, the Virgin, and the women her companions, are seen far off in the background, crouching in the "hollow way" between two cliffs, from which spot, according to the old tradition, they beheld the sad procession. We have quite a contrary arrangement in an early composition by Lucas van Leyden.

He added that this constituted an act of aggression and violation of German territory. M. Viviani listened in silence to Baron von Schoen's statement, and when the German Ambassador had finished, replied that it was absolutely false that French aviators had flown over Belgium and Germany and had dropped bombs.

The Ambassador himself seemed conscious of this feeling, for not only did he take care to proceed to the Quai d'Orsay in as inconspicuous a manner as possible, but he also applied to the authorities to detail a policeman to accompany him in his automobile. Baron von Schoen's departure from Paris was a solemn affair.