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In the winter sunshine I wandered about the busy, old-world streets of Florence, idling in the cafés, gazing into the many shop-windows of the dealers in faked pictures and faked antiques, while often my wandering footsteps led me into one or other of the "sights" of the city, all of which I had visited before the National Museum at the Bargello, the Laurenziana Library, with its rows of priceless chained manuscripts, the Chiostro dello Scalzo, where Andrea del Sarto's wonderful frescoes adorn the walls, or into the Palazzo Vecchio, or the galleries of the Pitti, or the Uffizi.
After this Andrea returned to the Scalzo, the Barefoot Brothers offering better pay than the Servites. Here he did the allegory of Justice and the Sermon of S. John in monochrome. In these he took a fancy to retrograde his style, for they have the rugged force and angular form that recalls the more stern old Italian masters, or that Titan of northern art, Albrecht Durer.
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