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Updated: May 27, 2025
"Nay, nay," said Don Quixote at this; "on that point of the bells Master Pedro is very inaccurate, for bells are not in use among the Moors; only kettledrums, and a kind of small trumpet somewhat like our clarion; to ring bells this way in Sansuena is unquestionably a great absurdity."
Its subject is the release by Senor Don Gaiferos of his wife Melisendra, when a captive in Spain at the hands of the Moors in the city of Sansuena, for so they called then what is now called Saragossa; and there you may see how Don Gaiferos is playing at the tables, just as they sing it At tables playing Don Gaiferos sits, For Melisendra is forgotten now.
Its subject is the release by Senor Don Gaiferos of his wife Melisendra, when a captive in Spain at the hands of the Moors in the city of Sansuena, for so they called then what is now called Saragossa; and there you may see how Don Gaiferos is playing at the tables, just as they sing it At tables playing Don Gaiferos sits, For Melisendra is forgotten now.
The play, which depicted how Melisendra was released by her husband, Señor Don Gaiferos, from the hands of the Moors in the city of Sansueña, now called Saragossa, had only proceeded a short way when Don Quixote became impatient with the young man who was making the explanations to the audience.
"Nay, nay," said Don Quixote at this; "on that point of the bells Master Pedro is very inaccurate, for bells are not in use among the Moors; only kettledrums, and a kind of small trumpet somewhat like our clarion; to ring bells this way in Sansuena is unquestionably a great absurdity."
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