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So much for the poetry of our many-handed poet. As to his house decorations, his illuminated manuscripts, his “anti-scrape” philippics, his sage-greens, his tapestries, his socialism, and his samplers: to deal with the infinite is far beyond the scope of an article so very finite as this, or we could easily show that in them all there is seen the same naïf genius of the poet, the same rare instinct for beautiful expression, the same originality as in the epics and the translations.
In whatsoever William Morris does or says the hand or the voice of the poet is seen or heard: in his house decorations no less than in his epics, in his illuminated manuscripts no less than in his tapestries, in his philippics against “restoration” no less than in his sage-greens, in his socialism no less than in his samplers. And first a word as to his poetry.
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