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Updated: May 10, 2025
Or rather one can see that Sir A. de Rutzen has in two and a half centuries managed to get a little beyond this primitive Puritan standpoint: he might allow a pictorial masterpiece to-day to pass unburnt, but a written masterpiece is still to him anathema. A part of this prejudice comes from the fact that the English have a special dislike for every form of sexual indulgence.
If the great English middle class were as well educated as the German middle class, such a judgment as this of Sir A. de Rutzen would be scouted as ridiculous and absurd, or rather would be utterly unthinkable. In Anglo-Saxon countries both the artist and the sexual passion are under a ban.
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