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Updated: May 27, 2025
The boredom of Rubek in the midst of his eminence and wealth, and his conviction that by working in such concentration for the purity of art he merely wasted his physical life, inspire the portions of the play which bring most conviction and can be read with fullest satisfaction.
It is Irene who describes herself as dead, but awakening in the society of Rubek, whilst Maia, the little gay soulless creature whom the great sculptor has married, and has got heartily tired of, goes up to the mountains with Ulpheim the hunter, in pursuit of the free joy of life.
At the close, the assorted couples are caught on the summit of an exceeding high mountain by a snowstorm, which opens to show Rubek and Irene "whirled along with the masses of snow, and buried in them," while Maia and her bear-hunter escape in safety to the plains.
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