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Again, in large letters among the fragment of red and blue paint, we read "Celui qui ne craint fortune n'est pas bien saige." Even more pathetic, when we recall the joyous days at Milan and Vigevano, where Lodovico listened to readings from Dante in Beatrice's rooms, is the following version of Francesca da Rimini's famous lines:
What was Hero's what was Francesco di Rimini's what was Juliet's? They might have been more brilliant women than Amelia, and their idols of a larger mould than George, but the love was the same old foolish, fond idolatry. The passion of love and a profound and sensible knowledge, regard based upon prodigious knowledge of character and appreciation of talent, are different things.
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