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Updated: May 8, 2025
He never could see that the German theatre had never been any better than it then was, but on the contrary, a great deal worse; he never realized that it was on the up-grade, and that he was to be instrumental in elevating it. The Reissigers and the rest were simply parts of the machine that were out of order: time and patience were required to eliminate them and put in sound working parts.
The Richters and Mottls and Schuchs of our day are a very different race from the Reissigers and Lachners and Costas of a past generation. It was Richter who taught us in London how a symphony of Beethoven ought to sound; before he came, performances were approved which the present day would not tolerate.
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