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Updated: May 6, 2025
The teachings and practice of the Netherlands masters spread through Europe rapidly, and some of the masters themselves went into Italy, where they became the apostles of a new artistic religion. The Netherlands musicians began early to write secular songs in a style which eventually developed into the madrigal. Frequently they took folk tunes and treated them polyphonically.
They are seldom set in sharp and vividly dramatic contrast, as with Wagner; nor are they polyphonically deployed. Often they are mere sound-wraiths, intended to denote moods and nuances of emotion so impalpable and evanescent, so vague and interior, that it is more than a little difficult to mark their precise significance.
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