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In this state of mind unable to banish the image the boy had raised of the Mother with the glory about her tending the sick the pievano had come down to milk his cow, and had suddenly caught sight of Romola pausing at the parted way. Her pleading words, with their strange refinement of tone and accent, instead of being explanatory, had a preternatural sound for him.
The first critic to call Compagni's authenticity in question was Pietro Fanfani, in an article of Il Pievano Arlotto, 1858. The cause was taken up, shortly after this date, by an abler German authority, P. Scheffer-Boichorst. The works which I have studied on this subject are, 1. Florentiner Studien, von P. Scheffer-Boichorst, Leipzig, Hirzel, 1874. 2.
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