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You make new and original people sing new songs to an accompaniment that looks second-hand, you have four acts, the characters deliver edifying discourses, there is a feeling of alarm before long speeches, and so on, and so on. But all that is not important, and it is all, so to speak, drowned in the good points of the play. Pertchihin how living!
His daughter is enchanting, Tatyana and Pyotr are also, and their mother is a splendid old woman. The central figure of the play, Nil, is vigorously drawn and extremely interesting! In fact, the play takes hold of one from the first act. Only God preserve you from letting anyone act Pertchihin except Artyom, while Alexeyev-Stanislavsky must certainly play Nil.
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