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Updated: June 24, 2025
Guilbert's latest song, cooed over the footlights of the Concerts Parisiens, still rings in his ears. The rustics who lived along the road were well accustomed to the sight of a high, tremulous phaeton flashing past them, and the crimson face of the young Prince bending over the horses.
The sacred festival of the birth of the Christ is so near, and our brother sings at Paris the joyful songs of his nativity. This being a Saint's day, some of the younger brothers of our order have begged our sweet singer of the churches to pour forth the notes of his melody, that they also, may feel as the Parisiens, the wonderful power and charm of his song."
It was in regard to this very tittle that De Maupassant had a disagreement with Audran and Boucheron director of the Bouffes Parisiens in October, 1890 They had given this title to an operetta about to be played at the Bouffes. The former soldier, Mederic Rompel, familiarly called Mederic by the country folks, left the post office of Roily-le-Tors at the usual hour.
It was in regard to this very tittle that De Maupassant had a disagreement with Audran and Boucheron director of the Bouffes Parisiens in October, 1890 They had given this title to an operetta about to be played at the Bouffes. The former soldier, Mederic Rompel, familiarly called Mederic by the country folks, left the post office of Roily-le-Tors at the usual hour.
The Discours de la Lanterne aux Parisiens, subsequently called the Revolutions de France et de Brabant, was the production of Camille Desmoulins. This young student, who became suddenly a political character on a chair in the garden of the Palais Royal, on the first outbreak of the month of July, 1789, preserved in his style, which was frequently very brilliant, something of his early character.
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