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Updated: May 26, 2025
“Tout ce qui n’est pas indispensable est nuisible,” a phrase which is often on Carolus-Duran’s lips, may be taken as the keynote of his work, where one finds a noble simplicity of line and color scheme, an elimination of useless detail, a contempt for tricks to enforce an effect, and above all a comprehension and mastery of light, vitality, and texture—those three unities of the painter’s art—that bring his canvases very near to those of his self-imposed Spanish master.
The two or three pages beginning "Il regardait toute secte comme nuisible," and explaining why Turgot always kept himself perfectly distinct from the Encyclopedists, sank deeply into my mind. I left off designating myself and others as Utilitarians, and by the pronoun "we," or any other collective designation, I ceased to afficher sectarianism.
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