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Updated: May 9, 2025
In the "transcendental" exposition of space and time Kant follows this "metaphysical" exposition, which had to prove their non-empirical, and non-discursive, hence their a priori and intuitive, character, with the proof that only such an explanation of space and time could make it conceivable how synthetic cognitions a priori can arise from them. The principles of mathematics are of this kind.
Nor was the true reality appearance itself in its crude immediacy, as sceptics would think; it was a realm of objects present to a supposed intuitive thought, that is, to a non-inferential inference or non-discursive discourse.
The painter who esteems lightly the subject of composition is usually found to be the painter of simple subjects—portraits and non-discursive themes, but though these may survive in antagonism to such principles their authors are demanding more from the technical quality of their work than is its mission to supply. The first two main lines, if they touch or cross, start a composition.
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