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And the sun which rose from the earth before the patesi was the god Ningishzida, for like the sun he goes forth from the earth. And the maiden who held a pure reed in her hand, and carried the tablet with the star, was her sister, the goddess Nidaba: the star was the pure star of the temple's construction, which she proclaimed.
The man whose stature was so great, and whose head was that of a god, was the god Ningirsu, and the words which he uttered were an order to the patesi to rebuild the temple Eninnû. The Sun which rose from the earth was the god Ningishzida, for like the Sun he goes forth from the earth.
The occasion on which the temple was built, and this statue erected within it, seems to have been the investiture of the god Ningishzida with special and peculiar powers, and it possibly inaugurated his introduction into the pantheon of Shirpurla. Ningishzida is called in the inscription the son of Ninazu, who was the husband of the Queen of the Underworld.
The dragon motif is constantly recurring in descriptions of Sumerian temple-decoration, and the twin dragons of Ningishzida on Gudea's libation-vase, carved in green steatite and inlaid with shell, are a notable product of Sumerian art.
From the same clay he continued to form other deities and materials, including the Carpenter-god; the Smith-god; Arazu, a patron deity of building; and mountains and seas for all that they produced; the Goldsmith-god, the Stone-cutter-god, and kindred deities, together with their rich products for offerings; the Grain-deities, Ashnan and Lakhar; Siris, a Wine-god; Ningishzida and Ninsar, a Garden-god, for the sake of the rich offerings they could make; and a deity described as "the High priest of the great gods," to lay down necessary ordinances and commands.
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