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He, in his lifetime, was not as much of a renowned painter as Montien Boonma or Chamas Kietkong were in theirs. For meaningful Thai art of international appeal one turned to them and not him. His works were a familiar leitmotiff of sordid, dejected whores to which ideas and representation of forms were, for critics and buyers alike, secondary considerations.
Nawin relinquished the idea of returning to his seat anytime soon and sat down on a box of clean linen where he contemplated the article. He recalled: "Nawin Biadklang's paintings are almost like a hybrid of Montien Boonma's Buddhist sculpture with an amateur painter's penchant for easily obtained nude models in Bangkok's red light district.
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