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Updated: May 15, 2025
Thibaud does not see any great difference between the ideals of la grande école belge, that of Vieuxtemps, De Bériot, Léonard, Massart and Marsick, whose greatest present-day exponent is Eugène Ysaye, and the French. Himself a pupil of Marsick, he inherited the French traditions of Alard through his father, who was Alard's pupil and handed them on to his son.
The difference between a great and a mediocre teacher lies in the fact that the first recognizes that bowing is an individual matter, different in the case of each individual pupil; and that the greatest perfection is attained by the development of the individual's capabilities within his own norm. "Marsick was a teacher of this type. We also studied all of Paganini, and works by Ernst and Spohr.
Her teachers were LeCouppey in piano, Savard in harmony, counterpoint, and fugue, Marsick in violin, and Benjamin Godard in composition. Under these she made rapid progress, and, in fact, the latter part of her education consisted in playing chamber music with Marsick and Delsarte.
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