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She again wrote to Jasmin, endeavouring to excite his interest by her appreciation of his poems. "The spirit of your work," she said, "vibrates through me in every form. What a pearl of eulogy is Maltro! What a great work is L'Abuglo! In the first of these poems you reach the sublime of love without touching a single chord of passion. What purity, and at the same time what ease and tenderness!
Accompanied with a French translation, his principal poems, "Mous Soubenis," "L'Abuglo de Castel-Cuillé," "Francouneto," "Maltro l'Innoucento," "Lous Dus Frays Bessous," "La Semmâno d'un Fil," have been read as much north of the Loire as south.
It is not only the fever of the heart; it is life itself, its religion, its virtue. This poor innuocento does not live to love; she loves to live.... Her love diffuses itself like a perfume like the scent of a flower.... In writing Maltro your muse becomes virgin and Christian; and to dictate L'Abuglo is a crown of flowers, violets mingled with roses, like Tibullus, Anacreon, and Horace."
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