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Updated: May 19, 2025
Color, age, leisure; a medley of races; sand-hills engirt by snow sky-line for eighty miles; the honking of a motor blending with the braying of a Mexican burro trotting to market loaded out of sight under a wood pile; Old Spain and New America; streets with less system and order about them than an ant hill, with a modern Woman's Board of Trade that will make you mind your P's and Q's and toe the sanitary scratch if you are apt to be slack; the chimes, and chimes and chimes yet again of old Catholic churches right across from a Wild West Show where a throaty band is screeching Yankee-Doodle; little adobe houses where I never quite know whether I am entering by the front door or the back; the Palace where Lew Wallace wrote Ben Hur, and eighty governors of three different nationalities preceded him, and where the Archæological Society has its rooms with Lotave's beautiful mural paintings of the Cliff Dwellers, and where the Historical Society has neither room nor money enough to do what it ought in a region that is such a mine of history.
As to the "lack of art," pray wake up! The late Edwin Abbey declared that the most hopeful school of art in America was the School of the Southwest. Look up Lotave's mural drawings at Santa Fe, or Lungrun's wonderful desert pictures, or Moran's or Gamble's, or Harmon's Spanish scenes then talk about "lack of decadent art" if you will, but don't talk about "lack of art."
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