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Updated: May 9, 2025
The consequence of this was that those two practitioners of the black art, the Goldsmith and the Jew-coiner, had to be brought into the story somehow, willy-nilly; and thus those two unfortunate revenants make their appearance as heterogeneous elements, working, with their sorceries, in an unnaturally constrained manner among the incidents of the tale.
At all events, you surely admit that there are one or two good characters in my story, and at the head of them, the love-stricken Baron Benjie, that worthy scion of the Jew-coiner race of Lippolts; however, we've had far too much of my piece of patchwork, which was only intended to amuse you for a moment as a bizarre jest.
The goldsmith cast strange looks at the old Jew and at Tussmann; and presently asked the latter, with a mysterious smile, if he had ever heard about the Jew-coiner, Lippold, and what had happened to him in the year 1512. Ere Tussmann could answer, the goldsmith went on to say: "This Jew-coiner, Lippold, was accused of an important imposture, and a serious roguery.
People say he is a second Ahasuerus, and has been going spooking about since the year 1572. That was the year in which he was put to death for diabolical practices and sorcery, under the name of Lippolt, the Jew-coiner. But the Devil saved his body from death at the price of his immortal soul.
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