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Updated: May 21, 2025
But he has the de- fect that he is never pictorial, that he never by any chance makes an image, and that his style is per- versely colorless, for a man so fond of contemplation. His taste is often singularly false; it is the taste of the early years of the present century, the period that produced clocks surmounted with sentimental "sub- jects."
The second principle I shall take notice of is that of comparison, or the variation of our judgments concerning ob jects, according to the proportion they bear to those with which we compare them. We judge more, of objects by comparison, than by their intrinsic worth and value; and regard every thing as mean, when set in opposition to what is superior of the same kind.
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