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Updated: May 29, 2025
There is something in the payment of great honours to the living which fills one with apprehension, especially when the recipient of them looks so like a dying man. God have mercy on him! April 1721. We were on the point of retiring to rest last evening when a messenger arrived post-haste with a letter on behalf of Antony Watteau, desiring Jean-Baptiste's presence at Paris.
So Jean-Baptiste's work, in its nearness to his, may stand, for the future, as the central interest of my life. I bury myself in that. February 1715. If I understand anything of these matters, Antony Watteau paints that delicate life of Paris so excellently, with so much spirit, partly because, after all, he looks down upon it or despises it.
So Jean-Baptiste's work, in its nearness to his, may stand, for the future, as the central interest of my life. I bury myself in that. February 1715. If I understand anything of these matters, Antony Watteau paints that delicate life of Paris so excellently, with so much spirit, partly because, after all, he looks down upon it or despises it.
There is something in the payment of great honours to the living which fills one with apprehension, especially when the recipient of them looks so like a dying man. God have mercy on him! April 1721. We were on the point of retiring to rest last evening when a messenger arrived post-haste with a letter on behalf of Antony Watteau, desiring Jean-Baptiste's presence at Paris.
But the veritable root of all evil is Zut, and Zut sits smiling in Jean-Baptiste's doorway, and cares naught for anything in the world, save the sunlight and her midday meal.
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