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Updated: June 15, 2025
It is saying little to affirm that nothing equals the superiority of talents of this description which the opera comprehends at the present moment. These advantages, I understand, are chiefly due to GARDEL. He has given the example and the precept, and, through his guidance, the art of dancing is become doubly captivating.
Four couples stand, picturesquely grouped, the gentleman, balancing on his right tip-toe, places his right-arm about his partner, raising, at the same time, his left-arm in a graceful curve above his head whilst the other couples make the 'ronde. Such an idea never entered the heads of Vestris or Gardel. Very well.
We believe there are not at present, on the London stage, any dancers of equal merit with Madame Gardel, or Mademoiselle Bigottini. The former of these is said to be 45 years of age, and has long been reckoned the best figuranté on this stage.
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