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Updated: June 6, 2025
Or did they feel an inward need to clear themselves personally from the infamy which attached to their order? Or were they moved by that selfish pessimism which takes for its maxim, 'it will last our time'. Perhaps all of these motives were more or less at work. In the case of Folengo, the unmistakable influence of Lutheranism must be added.
Nor was the eccentric Rabelais the inventor of most of his burlesque narratives; and he is a very close imitator of Folengo, the inventor of the macaronic poetry, and not a little indebted to the old Facezie of the Italians.
The absurdities of the conventional pastoral did not, indeed, pass altogether unnoticed in their own day, for early in the sixteenth century Teofilo Folengo composed his Zanitonella in macaronic verse. It consists of eclogues and poems in hexameter and elegiac metre ridiculing polite pastoralism through contrast with the crudities of actual rusticity.
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