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Updated: May 27, 2025


In the times of the successors of Alexander, the Diadochæ and Epigones, the Seleucidæ and the Lagidæ, who had divided the vast dominion among them, Greek influence had spread all over Palestine. Greek towns were founded, theatres and gymnasia established; Greek art was admired and her philosophy studied.

In that culture and in that social order much of what Ausonius and Sidonius and even Fortunatus represented was brought to life again, albeit in a form they would not always have recognized as their own. To this extent, at least, they were not only the epigones of Rome but the true precursors of the Middle Ages.

After critical perspective has been attained, it may be seen that the majority of composers fall into this category not a consoling notion, but an unavoidable. Richard Wagner has his epigones; the same is the case with Haydn, Mozart, Beethoven. Mendelssohn was a delightful feminine variation on Bach, and after Schumann came Brahms.

Good or bad, that it seems to me is the way we work. We find reasons for what we want to do. The big men from Machiavelli through Rousseau to Karl Marx brought history, logic, science and philosophy to prop up and strengthen their deepest desires. The followers, the epigones, may accept the reasons of Rousseau and Marx and deduce rules of action from them.

Unmindful of the roar of industrial New England she kept to the milder regions of her section and wrote elegies upon the epigones. In Miss Cather's quarter of the country there were still heroes during the days she has written about, still pioneers. The sod and swamps of her Nebraska prairies defy the hands of labor almost as obstinately as did the stones and forests of old New England.

With picture-books of this class in their hands, these smug ones now once and for all sought to escape from the yoke of these dubious classics and the command which they contained to seek further and to find. They only started the notion of an epigone-age in order to secure peace for themselves, and to be able to reject all the efforts of disturbing innovators summarily as the work of epigones.

He was perhaps the most considerable representative of the literary "Epigones" intervening between the esthetic individualistic humanism of the eighteenth, and the economic-coöperative humanism of the nineteenth century.

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