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On the evening of the fifteenth of March, 1673, all that remained of the author of Regulus, of Catiline, and the Satires the gay Formica, the witty Coviello of the elegant composer, and greatest painter of his time and country of Salvator Rosa! was conveyed to the tomb, in the church of Santa Maria degli Angioli alle Terme that magnificent temple, unrivalled even at Rome in interest and grandeur, which now stands as it stood when it formed the Pinacotheca of the Thermæ of Dioclesian.

The terrible Rhodomont, confused by so much praise, blushed like a schoolgirl as he met the solemn scrutiny of Andre-Louis. "Then here we have Scaramouche, whom also you already know. Sometimes he is Scapin and sometimes Coviello, but in the main Scaramouche, to which let me tell you he is best suited sometimes too well suited, I think.

The doctor having gone the round of professional questions with his wonted pomposity, rose to write his prescription; when, as he sat before the table with eyes upturned, and pen suspended over the paper, Salvator approached him on tiptoe, and drawing the pen gently through his fingers, with one of his old Coviello gesticulations in his character of the mountebank, he said, "fermati dottor mio! stop doctor, you must not lay pen to paper till I have leisure to dictate the idea and conceit of the prescription I may think proper for the malady of his Excellency."