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Updated: July 27, 2025
Tintoret found himself facing a new caste-spirit in the Renascence, a classification of mankind founded on æsthetic refinement and intellectual power; and it is hard not to see in the greatest of his works a protest as energetic as theirs for the common rights of men. Into the grandeur of the Venice about him, her fame, her wealth, her splendour, none could enter more vividly.
I was curious to find how these things appear'd on their surfaces to my friend, for he plainly possess'd sharp wits and good nature, and had been seeing, for years, broad streaks of humanity somewhat out of my latitude. I found that as he took such appearances the inward caste-spirit of European "aristocracy" pervaded rich America, with cynicism and artificiality at the fore.
The "chivalry" so familiar to us in the pages of Froissart, that picturesque mimicry of high sentiment, of heroism, love, and courtesy before which all depth and reality of nobleness disappeared to make room for the coarsest profligacy, the narrowest caste-spirit, and a brutal indifference to human suffering, was specially of French creation.
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