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Updated: May 9, 2025
Its picture of manners, its mundane environment, its epigrams and dramatic bravoura will make it welcome everywhere. Sudermann is still Klingsor, the evoker of artificial figures, not the poet who creates living men and women.
One thing, however, struck her as strange, incredible how could a fashionable man brought up in the atmosphere of elegant saloons, find any pleasure in playing bravoura pieces in the tap room of a miserable csárdá to an audience of half-tipsy vagabonds? Was this an habitual diversion of these wealthy magnates, or was it only Hátszegi's bizarre humour?
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