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Updated: May 11, 2025
Not having appeared in the edition of 1550, we may regard it as a réchauffée of Condivi, with the usual sauce provided by the Aretine's imagination. The only addition I can discover which throws light upon Condivi's narrative is that the statues in the niches were meant to represent provinces conquered by Julius.
In this book, Nash is kind enough to explain to us the cause of some of the peculiarities of his style. His endeavour has been to be Italianate, and "of all styles I most affect and strive to imitate Aretine's."
He mistakes ribaldry for wit, though nothing is more unlike; and believes himself to be the finer man the filthier he talks, as if he were above civility as fanatics are above ordinances, and held nothing more shameful than to be ashamed of anything. He talks nothing but Aretine's pictures, as plain as the Scotch dialect, which is esteemed to be the most copious and elegant of the kind.
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