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This graveyard, with its ruinous walls, its mangy riot of unwholesome weeds, its corpses festering in slime beneath neglected slabs in hollow chambers, and the mephitic wash of poisoned waters that surround it, inspires the horror of disgust. The morning has not lost its freshness. Antelao and Tofana, guarding the vale above Cortina, show faint streaks of snow upon their amethyst.
This graveyard, with its ruinous walls, its mangy riot of unwholesome weeds, its corpses festering in slime beneath neglected slabs in hollow chambers, and the mephitic wash of poisoned waters that surround it, inspires the horror of disgust. The morning has not lost its freshness. Antelao and Tofana, guarding the vale above Cortina, show faint streaks of snow upon their amethyst.
In its narrow bed, far below, the river Boite roared as gently as Bottom's lion. The afternoon sunlight touched the snow-capped pinnacle of Antelao and the massive pink wall of Sorapis on the right; on the left, across the valley, Monte Pelmo's vast head and the wild crests of La Rochetta and Formin rose dark against the glowing sky.
An artist even now will select its old-world quiet, leafy shade, and prospect through the islands of Vignole and Sant'Erasmo to snow-touched peaks of Antelao and Tofana, rather than the glare and bustle and extended view of Venice which its rival Sant'Elisabetta offers.
When we turned the other way, we faced a group of mountains as ragged as the crests of a line of fir-trees, and behind them loomed the solemn head of Pelmo. Across the broad vale of the Boite, Antelao stood beside Sorapis, like a campanile beside a cathedral, and Cristallo towered above the green pass of the Three Crosses. Through that opening we could see the bristling peaks of the Sextenthal.
An artist even now will select its old-world quiet, leafy shade, and prospect through the islands of Vignole and Sant' Erasmo to snow-touched peaks of Antelao and Tofana, rather than the glare and bustle and extended view of Venice which its rival Sant' Elisabetta offers.
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