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Leaning one day over the Ponte di Paglia I saw one being brought in, in a barca with a green box as we should say, a Black and Green Maria. I cannot resist quoting Coryat's lyrical passage in praise of what to most of us is as sinister a building as could be imagined.

In Coryat's "Crudities," a very rare and highly interesting work, published in 1611, about a century and a half prior to the general introduction of the Umbrella into England, we find the following curious passage:

Another inference as to the table manners of the period is found in Coryat's "Crudities" . He saw in Italy generally a curious custom of using a little fork for meat, and whoever should take the meat out of the dish with his fingers would give offense.

In Coryat's "Crudities," 1611, we have an Englishman's contrast of the dress of the Venetians and the English.

The most superb of the external bronzes is the "Mercury" on the left of the façade. To the patience and genius of Signor Giacomo Boni is the restored statuary of the Loggetta due; Cav. Munaretti was responsible for the bronzes, and Signor Moretti for the building. All honour to them! Old Coryat's enthusiasm for the Loggetta is very hearty.

Another inference as to the table manners of the period is found in Coryat's "Crudities" . He saw in Italy generally a curious custom of using a little fork for meat, and whoever should take the meat out of the dish with his fingers would give offense.

The porphyry stone on the ground at the corner on our left is the Pietra del Bando, from which the laws of the Republic were read to the people. Thomas Coryat, the traveller, who walked from Somerset to Venice in 1608 and wrote the result of his journey in a quaint volume called Coryat's Crudities, adds another to the functions of the Pietra del Bando.