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Actualizado: 15 de julio de 2025
From his works we can easily believe that both of these motives entered into it; in fact he says as much in his correspondence with the Duque de Sessa. Speaking of this phase of the poet's life, Fitzmaurice-Kelly says: "It was an ill-advised move. Ticknor, indeed, speaks of a 'Lope, no longer at an age to be deluded by his passions'; but no such Lope is known to history.
Por último aparece éste, se suscita un altercado entre el caballero y el pastor, siendo éste rechazado, y exhortándolo su amada á renunciar á su insensata pasión, y termina, después de reconciliarse todos, con dos villancicos sobre los dolores y placeres del amor.» La traducción, ó más bien la imitación inglesa más antigua es del año 1530. V. á Collier, History of Dramatic Poetry, II, 408.
Collier, History of English dramatic Poetry, volumen II, pág. 408.
In 1627 he published his Corona Trágica, a long religious epic written on the history of the life and fate of Mary, Queen of Scots.
But about 1560 there flourished in Spain probably the most important figure in the early history of the national drama. This was the Sevillian gold-beater, later actor and dramatic author, Lope de Rueda.
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