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Updated: July 4, 2025
In the meantime it is sufficient to say that whatever principles of conception and construction apply to the modern prose drama, apply with equal cogency to the poetic drama. The verse-poet may perhaps take one or two licenses denied to the prose-poet. For instance, we may find reason to think the soliloquy more excusable in verse than in prose.
But fundamentally, the two forms are ruled by the same set of conditions, which the verse-poet, no less than the prose-poet, can ignore only at his peril. Unless, indeed, he renounces from the outset all thought of the stage and chooses to produce that cumbrous nondescript, a "closet drama." Of such we do not speak, but glance and pass on.
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