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Updated: May 24, 2025
This effort was fortunate for all concerned for the dramatist and for the actor, but especially for the spectator, who became accustomed to give an imaginative interpretation and setting to a play that would mean little to a modern theatergoer. Actors.
He was a man of the world, of the better class, a clubman, a lover of horses, a theatergoer and an expert swordsman; he was known, talked about, appreciated everywhere, having very courteous manners, a very mediocre intellect, an absence of education and of the real culture needed in order to think like all well-bred people, and finally a respect for conventionalities.
It is at the climax of emotion on the stage that the theatergoer likes to use his opera glass in order not to overlook the subtle excitement of the lips and the passion of the eyeballs and the ghastly pupil and the quivering cheeks. The enlargement by the close-up on the screen brings this emotional action of the face to sharpest relief.
At this hour of writing I feel that I am stocked up with enough of Bouguereau's sorrel ladies and Titian's chestnut ones and Rubens' bay ones and Velasquez's pintos to last me, at a conservative estimate, for about seventy-five years. I am too young as a theatergoer to recall much about Lydia Thompson's Blondes, but I have seen sufficient of Botticelli's to do me amply well for a spell.
He was a man of the world, of the better class, a clubman, a lover of horses, a theatergoer and an expert swordsman; he was known, talked about, appreciated everywhere, having very courteous manners, a very mediocre intellect, an absence of education and of the real culture needed in order to think like all well-bred people, and finally a respect for conventionalities.
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