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Updated: May 21, 2025
On the stucco-wall that encloses them are little emblematic figures, of a relief exceedingly low, of dead and dying animals, and little winged genii, and female forms bending in groups in some funereal office. The high reliefs represent, one a nautical subject, and the other a Bacchanalian one. Within the cell stand the cinerary urns, sometimes one, sometimes more.
He let the yellow circle of the electric torch travel over the cracked stucco-wall that faced them, the paintless door at its left extremity, the drift of dead leaves on the stone floor. "What does that door open on to?" asked Ellen, forgetting the reason for their search in the queerness of the place. "A staircase up to the room above."
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