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It seems to have grown up in north-western India in the centuries when Iranian influence was strong and may owe to Zoroastrianism the doctrine of the Vyûhas which finds a parallel in the relation of Ahura Mazda to Spenta Mainyu, his Holy Spirit, and in the Fravashis. It is also remarkable that God is credited with six attributes comparable with the six Amesha Spentas.
But Avalokita and Mañjuśrî, though they had not such strong roots in Indian humanity as Śiva and Vishnu, are genii of purer and brighter presence. They are the personifications of kindness and knowledge. Though manifold in shape, they have little to do with mythology, and are analogous to the archangels of Christian and Jewish tradition and to the Amesha Spentas of Zoroastrianism.
Piety consisted in the acknowledgment of the One True God, Ahura-mazda, and of his holy angels, the Amesha Spentas or Amshashpands, in the frequent offering of prayers, praises, and thanksgivings, in the recitation of hymns, the performance of the reformed Soma ceremony, and the occasional sacrifice of animals.
Worship consisted in the acknowledgment of the One True God, Ormazd, and of his Holy Angels, the Amesha Spentas or Amshashpands, in the frequent offering of prayers, praises, and thanksgivings, in the recitation of set hymns, the performance of a certain ceremony called the Homa, and in the occasional sacrifice of animals.
The set hymns form a large portion of the Zendavesta, where they occur in the shape of Gathas, or Yashts, sometimes possessing considerable beauty. They are sometimes general, addressed to Ormazd and the Amesha Spentas in common, sometimes special, containing the praises of a particular deity.
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