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The family portraits had been rehung in their former places, in chronological order, and, in its proper place, figured that of the General of Division the Marquis de Prerolles, in full uniform, mounted on Aida, the portrait being the work of Edmond Delorme. At this sight, touched to the depths of his heart, Henri knelt before Valentine, and carried her hand to his lips.
Did she fancy that he had meant to attack her with it? Surely not. He rehung the picture on the wall thoughtfully. Three more days went by in dreary inaction. Tommy felt the strain telling on his nerves. He saw no one but Conrad and Annette, and the girl had become dumb. She spoke only in monosyllables. A kind of dark suspicion smouldered in her eyes.
Beneath this frame, a sort of wooden panel, which was no longer than it was broad, stood on the ground and rested in a sloping attitude against the wall. It had the appearance of a picture with its face turned to the wall, of a frame probably showing a daub on the other side, of some pier-glass detached from a wall and lying forgotten there while waiting to be rehung.
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