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Updated: May 15, 2025
Cardinal Cicognara, who had watched from the corner of his eye the direction of his protege's glance, saw the Frenchman; he leaned toward one of his ecclesiastical aides-de-camp, and apparently asked the sculptor's name. When he had obtained the reply he desired he scrutinized the artist with great attention and gave orders to an abbe, who instantly disappeared.
He becomes the powerful protector of an unknown young man much as he picked up Lucien de Rubempre in Illusions Perdues, and attempted to aid Rastignac in Le Pere Goriot and devotes all his sinister craft to his protege's material interests. The playwright is careful to preserve some degree of the young man's self-respect.
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