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The fin de siècle intelligentsia of the nineteenth century were quite stirred up by a publication of Max Nordau on "Degeneration," in which a number of revered artists and intelligents were held up to public scorn as degenerates and neurasthenics. So wrought up were they, in fact, that Bernard Shaw was moved to compose a defense entitled "The Sanity of Art."
Among their publications were, besides the original writings of Peretz, Taviov, Frischman, Berdichevsky, Chernikhovsky, and others, also translations from Bogrov, Byron, Frug, Hugo, Nordau, Shakespeare, Spencer, Zangwill, Zola, critical biographies of Aristotle, Copernicus, George Eliot, Heine, Lassalle, Nietzsche, Rousseau, and a great many equally famous men of letters, which followed each other in promiscuous but uninterrupted succession, all handsomely printed and prettily bound, and sold at a moderate price.
If Doctor Talmage is the Barnum of Theology, surely we may call Doctor Nordau the Barnum of Science. His agility in manipulating facts is equal to Hermann's now-you-see-it and now-you-don't, with pocket-handkerchiefs.
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