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Marshall tried bear-leading; but people are not particularly anxious to entrust their boys to a non-public school man afflicted by religious doubts. He thought of making use of his really exquisite voice and becoming a public singer; but the training is fearfully expensive, and so somehow that plan also fell through.
His departure is but one of their attributes. So it is in any film. There is no emotional stimulation in the final departure of a non-public character to bring tears, such tears as have been provoked by the novel or the stage over the death of Sidney Carton or Faust's Marguerite or the like. All this, to make sharper the fact that the murder of Becket the archbishop is a climax.
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