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Updated: May 2, 2025
Along with the Babylonians the people of Naharaim had made themselves formidable to the inhabitants of Canaan, and their name was feared as far south as Jerusalem. Even the governor of the Canaanite town of Musikhuna, not far from the Sea of Galilee, bore the Mitannian name of Sutarna.
For two generations in succession the queen-mother was a Mitannian princess, and a king finally sat upon the Pharaohs' throne who attempted to supplant the religion of which he was the official head by a foreign cult, and thereby brought about the fall of his house and empire. The power of Mitanni or Aram-Naharaim Aram of the Two Rivers does not seem to have long survived this event.
Such a suggestion is no longer so improbable as it seemed to be in 1901, when it was still a tenable theory that the new development of Egyptian art was due to Mesopotamian influence, and came from Mitanni with Queen Tyi, the wife of Amenhotep III. Now that it is certain that Tyi was no Mitannian, but a native Egyptian, that door is closed, and we must suppose either that Egyptian art suddenly and spontaneously awakened to a new style of vision and execution, from which, again, it as suddenly departed, or else that some foreign influence was working strongly upon the rigid Egyptian convention, modifying and vivifying it.
Its merchants grew rich, and "the mina of Carchemish" became a standard of value in the ancient world. Its capture by Sargon destroyed a rival of Assyrian trade, and opened the road to the Mediterranean to the armies of Assyria. The decay of the Hittite and Mitannian power meant the revival of the older Aramæan population of the country.
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