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Updated: June 20, 2025
"the fierce confederate storm Of sorrow barricadoed evermore Within the walls of cities;" although even here, perhaps, the power of style which is undeniable, is more properly that of eloquent prose than the subtle heightening and change wrought by genuine poetic style. It is style, again, and the elevation given by style, which chiefly makes the effectiveness of Laodameia.
I have a warm admiration for "Laodameia" and for the great "Ode;" but if I am to tell the very truth, I find "Laodameia" not wholly free from something artificial, and the great "Ode" not wholly free from something declamatory.
I have a warm admiration for Laodameia and for the great Ode; but if I am to tell the very truth, I find Laodameia not wholly free from something artificial, and the great Ode not wholly free from something declamatory. If I had to pick out poems of a kind most perfectly to show Wordsworth's unique power, I should rather choose poems such as Michael, The Fountain, The Highland Reaper.
"The king's daughter bore Bellerophon three children, Isander, Hippolochus, and Laodameia. Jove, the lord of counsel, lay with Laodameia, and she bore him noble Sarpedon; but when Bellerophon came to be hated by all the gods, he wandered all desolate and dismayed upon the Alean plain, gnawing at his own heart, and shunning the path of man.
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