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Updated: May 2, 2025
Well, it turned out that when Halevy's Reine de Chypre appeared, it treated the same subject as Lachner's presumably original work, which had been composed in the meantime. It mattered very little that the libretto was a really good one, the value of the bargain lay in the fact that it was to be glorified by Lachner's music. It appeared, however, that St.
But in the drama, as you know and say best, "we must become WISE by means of FEELING." "Reason tells us SO IT IS, only after feeling has told us SO IT MUST BE;" and as far as I can tell, Lachner's feeling says little about "TANNHAUSER", although he was called several times before the curtain at the first performances. The part of "Tannhauser" was sung by "Herr Jung", the husband of "Lucile Gran."
As a very handsome author's royalty had been paid by this theatre, at the instigation of Kustner, on the occasion of the production of his old Munich friend Lachner's opera, Katharina von Cornaro, I hoped to realise a very substantial improvement in my finances if only the success of Rienzi in this city in any degree rivalled that in Dresden.
Tausig certainly delighted us by carolling Lachner's 'Old German Battle Song' in the upper octave, which, thanks to his boyish falsetto, was within his reach; however, even his pranks were no longer able to cheer us.
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