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Updated: May 28, 2025
The performance is given without the intervention of a curtain, and the figures in the wayang are slightly smaller and not nearly so skilfully constructed as in the two former. The wayang klitik takes its subjects from the period of the Mohammedan invasion. The dalangs are held in great respect by the common people, and many of them possess their own sets of wayang puppets.
Pangi is the favourite hero of the wayang gedog, though he is not represented so exclusively as in the theatre. In both of these wayangs the dalang often improvises the dialogue with which the narrative is interspersed. I have described the wayang klitik in my account of my visit to Tji Wangi.
At Tji Wangi I had an opportunity of witnessing this performance in its simplest form, i.e. the wayang klitik, in which the puppets are exhibited themselves to the audience instead of being made to project shadows on a transparent screen. Here, as at most plantations, it was customary for the weekly market, held after pay-day, to be followed by a wayang.
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