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Updated: May 9, 2025
Hitherto the samisen had been regarded as a vulgar instrument, and its use had never received the sanction of aristocratic circles. But it now came into favour with all classes of women from the highest to the lowest, and the singing of the joruri was counted a far more important accomplishment than any kind of domestic education.
Sharing the vogue of the biwa-bozu, but differing from it in the nature of the story recited as well as in that of the instrument employed, was the joruri, which derived its name from the fact that it was originally founded on the tragedy of Yoshitsune's favourite mistress, Joruri. In this the performer was generally a woman, and the instrument on which she accompanied herself was the samisen.
They carried two swords with gold mountings and scarlet tassels, so that when they danced in harmony with the flutes and drums the spectacle presented was one of dazzling brilliancy." Thenceforth this "Genroku dance," as it came to be called, obtained wide vogue. The same is true of the joruri, which is one of the most emotional forms of chant.
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