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Sculpture more ingratiating is close by, in the two rooms given to Iscrizioni: a collection of priceless antiques which are not only beautiful but peculiarly interesting in that they can be compared with the work of Donatello, Verrocchio, and other of the Renaissance sculptors. For in such a case comparisons are anything but odious and become fascinating.
The two priceless rooms devoted to Iscrizioni come next, but we will finish the pictures first and therefore pass on to the Sala di Baroccio. His position in the Uffizi is due rather to the circumstance that he was a protégé of the Cardinal della Rovere at Rome, whose collection came here, than to his genius. This room again is of interest rather historically than artistically.
To him was due the assembling, under the Uffizi roof, of all the outlying pictures then belonging to the State, including those in the gallery of the hospital of S. Maria Nuova, which owned, among others, the famous Hugo van der Goes. It was he also who brought together from Rome the Niobe statues and constructed a room for them. Leopold II added the Iscrizioni.
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