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Updated: June 6, 2025
This gives occasion for a scene of some merit between Callidora, Bellula, and Florellus, in which, after vainly disputing of their loves, they form a sort of triple alliance under the name of Love's Riddle. A similar scene could obviously be worked with Callidora, Hylace, and Palaemon, and it is perhaps to Cowley's credit that he has avoided the obvious parallelism.
Other pastoral characters are old Aegon and his supposed daughter Bellula, and Alupis, who fills at once the rôles of the 'merry' shepherd and the 'wise. On Callidora's appearance in boy's attire among the shepherd folk Hylace and Bellula alike fall in love with her, while in his search for his sister Florellus falls in love with Bellula.
Thus the courtly characters are all brought in contact with the country swains, among whom Palaemon courts the disdainful Hylace, daughter of the crabbed Melarnus and the old hag Truga.
Meanwhile Clariana has met the mad Aphron without recognizing him, and taking pity on his state brings him home to cure him, an attempt in which she is successful. He rewards her by transferring to her his somewhat questionable attentions. Also Alupis, working on Truga, has tricked her into seeking the marriage of Hylace and Palaemon; a plan, however, which is upset by Hylace and Melarnus.
Aegon makes Palaemon his heir, thereby removing Melarnus' objection to his suit to Hylace, while the latter and Bellula, discovering the hopelessness of their love for Callidora, consent to reward their respective lovers. Aphron, cured and forgiven, is accepted by Clariana, and thus, all bars removed, the happiness of the four pairs is secured.
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