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In the words of Corneille, "l'amour ne doit etre que l'ornement, et non l'ame de nos pieces," and this is how it is generally employed by the best dramatists. The love of Benedict and Beatrice, for example, is simply a setting for their witty talk and repartee. On the Spanish stage love is often a setting for entertaining intrigue, as in Lope de Vega's El Perro del Hortelano.
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